From f5d64db4f4f69c262de0229672fb2b0bbe9dbc34 Mon Sep 17 00:00:00 2001 From: jonahwashingto Date: Tue, 1 Sep 2026 01:58:33 +0000 Subject: [PATCH] =?UTF-8?q?Add=20Drum=20=E2=80=98n=E2=80=99=20Bass?= MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit --- Drum-%E2%80%98n%E2%80%99-Bass.md | 7 +++++++ 1 file changed, 7 insertions(+) create mode 100644 Drum-%E2%80%98n%E2%80%99-Bass.md diff --git a/Drum-%E2%80%98n%E2%80%99-Bass.md b/Drum-%E2%80%98n%E2%80%99-Bass.md new file mode 100644 index 0000000..0f1fdb8 --- /dev/null +++ b/Drum-%E2%80%98n%E2%80%99-Bass.md @@ -0,0 +1,7 @@ +
Drum and [GlycoMode Blood Sugar](https://monitor.yss.su/gradycolmenero/9037glycomode-blood-sugar-support/wiki/Microalbumin-test-and-Albumin-in-Urine) bass music, often [stylized drum](https://www.martindale.com/Results.aspx?ft=2&frm=freesearch&lfd=Y&afs=stylized%20drum) ‘n’ bass, D’n’B, or D&B, has emerged from the early 1990s underground rave and jungle scenes in the United Kingdom to become a global phenomenon The music of drum and bass varied, but was defined by its focus on fast syncopated breakbeat drum patterns and heavy basslines from which it derives its name. These traits were inherited from its roots in "jungle techno" and later just "jungle" music, which had the same high-tempo, sampled breakbeats, heavy basslines, and samples of older Jamaican music. As a result of using samples to create its music, drum and bass often incorporates influences from many other scenes and styles of music, with a major influence being the original Jamaican dub and reggae sound, and also jazz and funk. Despite the affiliation with the ecstasy-fuelled rave scene, jungle also inherited some associations with violence and criminal activity, both from the gang culture that affected the UK’s hip-hop scene and as a consequence of jungle’s often aggressive sound and themes of violence reflected in the choice of samples.
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However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, some jungle producers began to move away from the original ragga-influenced style and create what would become collectively labelled as drum and bass. The popularity of drum and bass at its commercial peak ran parallel to several other homegrown dance styles in the UK including big beat and hard house. Drum and bass has since fragmented into various subgenres within its scene ranging from jump up, liquid and minimal drum and bass to neurofunk & techstep. At the same time, it has also influenced many other genres like hip hop, big beat, dubstep, house, [GlycoMode Formula](http://racist.wiki/index.php/User:SusanBounds996) trip hop, ambient music, techno, rock and pop, with well-known artists such as Linkin Park, Missy Elliott, Nine Inch Nails, David Bowie and others using D’n’B techniques and elements in their music, such as Linkin Park’s Breaking the Habit (see Media).
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Drum and bass has since become a global culture, emerging from the underground rave and jungle scenes in the early 1990s in the United Kingdom. It remains the most popular in the UK although it has developed scenes around the world. Drum & bass was originally mostly sold in 12[-inch vinyl](https://www.travelwitheaseblog.com/?s=-inch%20vinyl) single format, but with the emergence of drum & bass into mainstream music markets, more albums, compilations and DJ mixes started to be sold on CDs. As digital music became more popular, websites focusing on electronic music such as Beatport, began to sell drum and bass in digital formats such as mp3 downloads. With UK and Australian bands such as Rudimental, The Prodigy, The Qemists, and Pendulum having songs charting in mainstream radio and being featured in video games, drum & bass has come far from its underground roots into mainstream attention. The most recent exposure to a large mainstream audience was when the Australian band Pendulum (whose album "Hold Your Colour" became the biggest selling jungle drum ‘n’ bass album of all time) performed live at the 2017 Ultra Music Festival in Korea, Singapore, Japan and elsewhere.
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The United Kingdom of the early 1990s left many young urbanites disenfranchised and disillusioned with a seemingly crumbling societal structure. In Energy Flash, Simon Reynolds writes that that jungle and drum & bass evolved as a form of cultural expression for London’s lower class urban youth; it was a notably more dark, less euphoric style of music than many of the other styles popular at raves. The D’n’B scene was racially mixed, but was much more popular with black British youths than other rave styles such as techno, perhaps because of its roots in older Jamaican and jungle techno music. A style of rave dance named "X-Outing" or "D’n’B Step" developed in Eastern Europe during the late 2000s. The street dance involves quick step-like movements, [GlycoMode blood glucose support](http://vecsil.bget.ru/en/component/k2/itemlist/user/65796.html) whereby the dancer hops between their heels and toes in a rapid motion, from leg to leg. Live performances of drum and bass music is where it stands out, with the crowd jumping and pumping their fists in time to the fast, high-energy beats of the music.
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